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・ WAVES
・ Waves '98
・ Waves (band)
・ Waves (Charles Lloyd album)
・ Waves (compilation album)
・ Waves (festival)
・ Waves (hairstyle)
・ Waves (Jade Warrior album)
・ Waves (Katrina and the Waves album)
・ Waves (Mono Band song)
・ Waves (Moving Mountains album)
・ Waves (Mr Probz song)
・ Waves (Rhydian Roberts album)
・ Waves (Sam Rivers album)
・ Waves (Terje Rypdal album)
Waves (Waves album)
・ Waves and shallow water
・ Waves and the Both of Us
・ Waves Are Dancing
・ Waves Are Universal
・ Waves Audio
・ Waves FM
・ Waves II
・ Waves in plasmas
・ Waves of Dreams
・ Waves of Economic Development
・ Waves of feminism
・ Waves of mass migrations from Hong Kong
・ Waves of Sound
・ Waves of the Danube


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Waves (Waves album) : ウィキペディア英語版
Waves (Waves album)

''Waves'' was the debut album by New Zealand folk-rock band Waves. It was released in 1975 and reached No.7 on the New Zealand album charts. The album, which became a sought-after collectors item on vinyl, was re-released in 2013 on vinyl and CD with a bonus disc, ''Misfit'', a previously unreleased album recorded by the band in 1976.
Three singles were taken from the album—"The Dolphin Song"/"Letters", "Arrow"/Clock House Shuffle" and "At the Beach"/Waitress".
==Background==

In 1975 Roger Jarrett, the editor of Auckland music magazine ''Hot Licks'', introduced the band to Kerry Thomas and Guy Morris, co-owners of Direction Records, a chain of stores and a burgeoning independent record label. On 7 July 1975 the band began a five-day recording session for their debut album at Stebbing Studios in Jervois Rd, Ponsonby, across the road from the eight-bedroom colonial villa where Waves members lived.
Thomas arranged expatriate New Zealand producer Peter Dawkins, then living in Sydney, to return to Auckland to produce the album. Gash said: "Dawkins had five days, and he marshalled us through the procedures in a most efficient fashion. That was his job, and he did it well. He was tough though: one of our friends wasn’t cutting it quickly enough with his solo, and Peter made me go into the studio and fire him on the spot ... We freely availed ourselves of notable contributors. Some—Mike Chunn, Mike Caen, Roy Mason—were personal friends; others—Vic Williams, Murray Grindlay, Mike Harvey, Paul Lee—were introduced to us in the studio." He told ''The New Zealand Herald'': "We were in a world we had dreamed of being in. It was a mix of excitement and terror."
At the end of the week, Dawkins flew back to Sydney with the finished tapes to mix them. "No doubt, in his world this was standard procedure," Gash said. "However what it did was disengage us from the process. When the mixes came back to Auckland, we didn’t understand them. They were not the way we heard ourselves. We voiced our desire to remix the album. Almost miraculously, Kerry Thomas agreed, and gained my gratitude forever. We kept Peter’s mixes of "Waterlady Song" and "Arrow"; the rest the band remixed at Stebbings with (engineer) Phil Yule, and that is what appeared on the album."〔
The band recorded a second album in 1976 for WEA Records, on which they began to explore a new direction with electric guitars.〔〔 With recording almost complete, they were told that a WEA executive did not like the result and had ordered the multi-track tapes to be recorded over.〔〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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